Tomato
- Ghost In My Bed
The
Tomato
Story
David
Rathbone
tags along with Johnny Temple
to Cynthia
Nelson's
birthday
party, where he meetsTony
Dinoff.
Tony and David soon agree that what the world really needs is a
two-guitar-plus-drums band that sounds like the
Gang of Four covering
Charlie Parker.
“Improvised
three minute jams” says David, “like: Look Mum, no
idea!” “You mean, Mom”, corrects Tony. The air is
tense with electricity. Defending his accent's honour with a silent
“u”,
David responds “You say Tom-ay-to,
I say Tom-ah-to,
let's call the whole thing art”.
“Yeah”
says Tony “and let's call the band Tom-art-o
because
that's what'll be thrown at us on stage”. They agree that
there is only one way to find out.
Somehow roping in
world-famous drummer Steve
Crowley the three
musicians meet in a rehearsal room on Avenue A to conduct their
first experiment. They walk in and without so much as tuning up play
Jam Zero off the top of their heads (luckily Tony pressed record),
followed immediately by Jam
Zero Plus One. Suspecting
they are on to something, our intrepid explorers follow the clues
through a series of rehersal-room recordings and crowd-polariszing
party performances, such as the one at Kathleen
Millea's birthday party on Norfolk Street where
Gerard Cosloy hears in Tomato
just
what he's been looking for to fill the graveyard slot in a CBs show
he's putting together with The
Thinking Feller's, The
Grifters and The Sun City
Girls.
You
can well imagine Gerard's
predicament as he asks himself (trying to think above the "bah"
uttered by Lisa
from The
Mad Scene as she exits the room) “who would be foolish
enough to try and follow this mighty series of acts out on stage?
What fools would face the drunken and tattered remnants of New
York's dregs de là dregs and get the thing well and truly
over and done with?” And suddenly here are those very fools,
served up on a platter with watercress around it, driving such
hardened rock fans as the Kilgours themselves out of a party with
free
booze:
something that makes him sit up and think. And then get up and
leave. Exactly what he needs the punters to do at CBs on November
the 7th
at
roughly 3 A.M.
So it happens that the leads Tomato
had
been following converge upon CBGB one Friday night in November, and
our brave musicians confront the mystery live on stage for 20
action-packed minutes. The dynamic trio manage to get down five
separate numbers for posterity in this time, each achieving the
impossible in its own special way. Meanwhile, suddenly aroused by
the heckles of “Break Up!” and “Nihilists!”,
the last of the Bohemians blink in disorientation, scratch their
heads, and wander off into yet another New York night. Rock, which
had been slowly sickening in their one heart for years, was now well
and truly dead and buried there, along with the camps of the
Manhattan Indians, the rubble of Dutch New Amsterdam, the corpse of
Charlie
Ondras, and the very truth itself.
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